David Bowie really was multi-talented.
He was a trained dancer and mime, and could sing and act. He was a playwright, composer, record producer, and played alto and tenor saxophone, guitar, piano, keyboards, harmonica, mouth harp, koto, mandolin, recorder, viola, violin, cello, and stylophone. He played virtually all the instruments on Diamond Dogs, including the amazing guitar riff on Rebel, Rebel. He also worked in many many musical genres, such as dance, glam rock, hard rock, punk, techno, kraut rock, electronica, soul, folk, instrumental, new wave, house and jazz.
David Bowie was an internet adopter very early on. He started the BowieNet Internet Service Provider in 1998, and was one of the first to predict the digital future of music. He told Jeremy Paxman:
I appreciate that there’s a new demystification process going on between the artist and the audience. I think we’re on the cusp of something exhilarating and terrifying. [The Internet’s] an alien life form.
Bowie was one of the first artists to release a song (Telling Lies) via download only. Before the days of social media he created an online community where fans could gather for all kinds of things -listen to unreleased music, have live chats, be given first access to tickets and fan-only events. You could mix your own David Bowie music. And he was online a lot (his handle was Sailor).
And his Bowie Bonds were groundbreaking. He basically monetised his work while retaining control over his intellectual property. As he said in the New York Times in 2002:
The absolute transformation of everything that we ever thought about music will take place within 10 years, and nothing is going to be able to stop it. I see absolutely no point in pretending that it’s not going to happen. I’m fully confident that copyright, for instance, will no longer exist in 10 years, and authorship and intellectual property is in for such a bashing.” He noted that in the interim, artists should take advantage of the ability to control the distribution of their music, and to make some money off of it.
He also drew, painted and sculpted. Some of his artwork is below.








In addition to all of the above, Bowie was extremely well-read. Here is his list of 100 must-read books:
- Interviews With Francis Bacon by David Sylvester
- Billy Liar by Keith Waterhouse
- Room At The Top by John Braine
- On Having No Head by Douglass Harding
- Kafka Was The Rage by Anatole Broyard
- A Clockwork Orange by Anthony Burgess
- City Of Night by John Rechy
- The Brief Wondrous Life Of Oscar Wao by Junot Diaz
- Madame Bovary by Gustave Flaubert
- Iliad by Homer
- As I Lay Dying by William Faulkner
- Tadanori Yokoo by Tadanori Yokoo
- Berlin Alexanderplatz by Alfred Döblin
- Inside The Whale And Other Essays by George Orwell
- Mr. Norris Changes Trains by Christopher Isherwood
- Halls Dictionary Of Subjects And Symbols In Art by James A. Hall
- David Bomberg by Richard Cork
- Blast by Wyndham Lewis
- Passing by Nella Larson
- Beyond The Brillo Box by Arthur C. Danto
- The Origin Of Consciousness In The Breakdown Of The Bicameral Mind by Julian Jaynes
- In Bluebeard’s Castle by George Steiner
- Hawksmoor by Peter Ackroyd
- The Divided Self by R. D. Laing
- The Stranger by Albert Camus
- Infants Of The Spring by Wallace Thurman
- The Quest For Christa T by Christa Wolf
- The Songlines by Bruce Chatwin
- Nights At The Circus by Angela Carter
- The Master And Margarita by Mikhail Bulgakov
- The Prime Of Miss Jean Brodieby Muriel Spark
- Lolita by Vladimir Nabokov
- Herzog by Saul Bellow
- Puckoon by Spike Milligan
- Black Boy by Richard Wright
- The Great Gatsby by F. Scott Fitzgerald
- The Sailor Who Fell From Grace With The Sea by Yukio Mishima
- Darkness At Noon by Arthur Koestler
- The Waste Land by T.S. Elliot
- McTeague by Frank Norris
- Money by Martin Amis
- The Outsider by Colin Wilson
- Strange People by Frank Edwards
- English Journey by J.B. Priestley
- A Confederacy Of Dunces by John Kennedy Toole
- The Day Of The Locust by Nathanael West
- 1984 by George Orwell
- The Life And Times Of Little Richard by Charles White
- Awopbopaloobop Alopbamboom: The Golden Age of Rock by Nik Cohn
- Mystery Train by Greil Marcus
- Beano (comic, ’50s)
- Raw (comic, ’80s)
- White Noise by Don DeLillo
- Sweet Soul Music: Rhythm And Blues And The Southern Dream Of Freedom by Peter Guralnick
- Silence: Lectures And Writing by John Cage
- Writers At Work: The Paris Review Interviews edited by Malcolm Cowley
- The Sound Of The City: The Rise Of Rock And Roll by Charlie Gillete
- Octobriana And The Russian Underground by Peter Sadecky
- The Street by Ann Petry
- Wonder Boys by Michael Chabon
- Last Exit To Brooklyn By Hubert Selby, Jr.
- A People’s History Of The United States by Howard Zinn
- The Age Of American Unreason by Susan Jacoby
- Metropolitan Life by Fran Lebowitz
- The Coast Of Utopia by Tom Stoppard
- The Bridge by Hart Crane
- All The Emperor’s Horses by David Kidd
- Fingersmith by Sarah Waters
- Earthly Powers by Anthony Burgess
- The 42nd Parallel by John Dos Passos
- Tales Of Beatnik Glory by Ed Saunders
- The Bird Artist by Howard Norman
- Nowhere To Run The Story Of Soul Music by Gerri Hirshey
- Before The Deluge by Otto Friedrich
- Sexual Personae: Art And Decadence From Nefertiti To Emily Dickinson by Camille Paglia
- The American Way Of Death by Jessica Mitford
- In Cold Blood by Truman Capote
- Lady Chatterly’s Lover by D.H. Lawrence
- Teenage by Jon Savage
- Vile Bodies by Evelyn Waugh
- The Hidden Persuaders by Vance Packard
- The Fire Next Time by James Baldwin
- Viz (comic, early ’80s)
- Private Eye (satirical magazine, ’60s – ’80s)
- Selected Poems by Frank O’Hara
- The Trial Of Henry Kissinger by Christopher Hitchens
- Flaubert’s Parrot by Julian Barnes
- Maldodor by Comte de Lautréamont
- On The Road by Jack Kerouac
- Mr. Wilson’s Cabinet of Wonders by Lawrence Weschler
- Zanoni by Edward Bulwer-Lytton
- Transcendental Magic, Its Doctine and Ritual by Eliphas Lévi
- The Gnostic Gospels by Elaine Pagels
- The Leopard by Giusseppe Di Lampedusa
- Inferno by Dante Alighieri
- A Grave For A Dolphin by Alberto Denti di Pirajno
- The Insult by Rupert Thomson
- In Between The Sheets by Ian McEwan
- A People’s Tragedy by Orlando Figes
- Journey Into The Whirlwind by Eugenia Ginzburg
I wholeheartedly agree with everything you say, Janet. Whether you like Bowie or not you must admire his talent. I gave Lodger an airing in the garden this afternoon and I have four CD’s coming via Amazon tomorrow to complete the CD’s I don’t have, namely The Man Who Sold The World, Ziggy, Pin Ups and Diamond Dogs.
I shall browse the reading list now, with interest, thank you.